Show simple item record

dc.contributor.authorCarroll, Anne
dc.date.accessioned2013-08-04T19:52:50Z
dc.date.available2013-08-04T19:52:50Z
dc.date.issued2005-06
dc.identifier.citationCarroll, Anne. 2006. Spectres of 1919: Class and nation in the making of the New Negro. -- Modern Fiction Studies Volume 52, Number 1, Spring 2006 pp. 210-213 10.1353/mfs.2006.0019en_US
dc.identifier.issn0026-7724
dc.identifier.urihttp://hdl.handle.net/10057/6103
dc.identifier.urihttp://dx.doi.org/10.1353/mfs.2006.0019
dc.descriptionClick on the URI link to access this book review (may not be free.)en_US
dc.description.abstractExcerpt: Barbara Foley's book is a well-written, well-researched, and extensively supported analysis of the links between the American Left and the New Negro movement. Arguing that 1919 was a year when issues of race and class were closely tied, Foley traces the continuation and then the lessening of that connection through the early 1920s, using Alain Locke's 1925 anthology, The New Negro, as a barometer of a shift away from the more radical New Negro movement and toward the more culture-focused Harlem Renaissance.
dc.language.isoen_USen_US
dc.publisherJohns Hopkins University Pressen_US
dc.relation.ispartofseriesModern Fiction Studies
dc.relation.ispartofseriesv.25, no.1
dc.titleBook review: Spectres of 1919: Class and Nation in the Making of the New Negroen_US
dc.typeBook reviewen_US


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record