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dc.contributor.authorCarroll, Anne
dc.date.accessioned2013-08-04T19:03:10Z
dc.date.available2013-08-04T19:03:10Z
dc.date.issued2005-06
dc.identifier.citationCarroll, Anne. 2002. Art, literature, and the Harlem Renaissance: The messages of 'God's Trombones' (James Weldon Johnson). College Literature, v.29 no.3 pp.57-82en_US
dc.identifier.issn0093-3139
dc.identifier.urihttp://www.jstor.org/stable/25112658
dc.identifier.urihttp://hdl.handle.net/10057/6101
dc.descriptionClick on the URI link to access this article (may not be free)en_US
dc.description.abstractThis essay uses "God's Trombones" as an example to draw attention to the relations among literature and other arts in the Harlem Renaissance. Analyzing the relations among Johnson's essay, his poems, the titles, and Douglas's illustrations thus leads us to a fuller appreciation of the strategies of representation used during the movement, with implications for how scholars of the Harlem Renaissance evaluate its success.
dc.language.isoen_USen_US
dc.publisherWest Chester Universityen_US
dc.relation.ispartofseriesCollege Literature;
dc.relation.ispartofseries;v.29, no.3
dc.subjectJohnson, James Weldon, 1871-1938--Criticism and interpretation.
dc.subjectHarlem Renaissance
dc.subjectAfrican Americans authors
dc.titleArt, literature, and the Harlem Renaissance: the messages of "God's Trombones"en_US
dc.typeArticleen_US
dc.rights.holderCopyright 2005 College Literature


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