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dc.contributor.authorDel Águila, Rocío
dc.contributor.authorNavarro-Serrano, Jose Enrique
dc.date.accessioned2020-01-19T19:46:46Z
dc.date.available2020-01-19T19:46:46Z
dc.date.issued2019-11-05
dc.identifier.citationDel Aguila, Rocio A.; Navarro-Serrano, Jose Enrique. 2019. Body, slavery and agency in Fulú by Carlos Trillo and Eduardo Risso. Revista Canadiense de Estudios Hispanicos, vol. 43:no. 1:pp 43-67en_US
dc.identifier.issn0384-8167
dc.identifier.urihttps://doi.org/10.18192/rceh.v43i1.4522
dc.identifier.urihttp://hdl.handle.net/10057/17004
dc.descriptionClick on the DOI link to acces the article (may not be free).en_US
dc.description.abstractThis essay analyzes Fulú (1988-1991), a comic by the Argentinean writer Carlos Trillo and the graphic artist Eduardo Risso. Given her supernatural powers and a clear idea of what freedom means, the Black slave Fulú is able to escape Brazil and return to her tribe in Africa. The daughter of a mortal woman and a demigod, she has several powers, including an irresistible sexual appeal and the ability to paralyze whoever intends to sexually abuse her. Two main topics are analyzed: how the subject is constituted in the colonial structure and the agency of the main character.en_US
dc.language.isoesen_US
dc.publisherRevista Canadiense de Estudios Hispanicosen_US
dc.relation.ispartofseriesRevista Canadiense de Estudios Hispanicos;v.43:no.1
dc.subjectCarlos Trillo and Eduardo Rissoen_US
dc.subjectColoniality of poweren_US
dc.subjectGender representationen_US
dc.subjectSexualityen_US
dc.subjectSlaveryen_US
dc.titleBody, slavery and agency in Fulú by Carlos Trillo and Eduardo Rissoen_US
dc.typeArticleen_US
dc.rights.holder© 2018 Revista Canadiense de Estudios Hispanicos. All rights reserved.en_US


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