dc.contributor.author | Del Águila, Rocío | |
dc.contributor.author | Navarro-Serrano, Jose Enrique | |
dc.date.accessioned | 2020-01-19T19:46:46Z | |
dc.date.available | 2020-01-19T19:46:46Z | |
dc.date.issued | 2019-11-05 | |
dc.identifier.citation | Del Aguila, Rocio A.; Navarro-Serrano, Jose Enrique. 2019. Body, slavery and agency in Fulú by Carlos Trillo and Eduardo Risso. Revista Canadiense de Estudios Hispanicos, vol. 43:no. 1:pp 43-67 | en_US |
dc.identifier.issn | 0384-8167 | |
dc.identifier.uri | https://doi.org/10.18192/rceh.v43i1.4522 | |
dc.identifier.uri | http://hdl.handle.net/10057/17004 | |
dc.description | Click on the DOI link to acces the article (may not be free). | en_US |
dc.description.abstract | This essay analyzes Fulú (1988-1991), a comic by the Argentinean writer Carlos Trillo and the graphic artist Eduardo Risso. Given her supernatural powers and a clear idea of what freedom means, the Black slave Fulú is able to escape Brazil and return to her tribe in Africa. The daughter of a mortal woman and a demigod, she has several powers, including an irresistible sexual appeal and the ability to paralyze whoever intends to sexually abuse her. Two main topics are analyzed: how the subject is constituted in the colonial structure and the agency of the main character. | en_US |
dc.language.iso | es | en_US |
dc.publisher | Revista Canadiense de Estudios Hispanicos | en_US |
dc.relation.ispartofseries | Revista Canadiense de Estudios Hispanicos;v.43:no.1 | |
dc.subject | Carlos Trillo and Eduardo Risso | en_US |
dc.subject | Coloniality of power | en_US |
dc.subject | Gender representation | en_US |
dc.subject | Sexuality | en_US |
dc.subject | Slavery | en_US |
dc.title | Body, slavery and agency in Fulú by Carlos Trillo and Eduardo Risso | en_US |
dc.type | Article | en_US |
dc.rights.holder | © 2018 Revista Canadiense de Estudios Hispanicos. All rights reserved. | en_US |