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dc.contributor.authorQuantic, Diane D.
dc.date.accessioned2019-03-12T03:02:50Z
dc.date.available2019-03-12T03:02:50Z
dc.date.issued2019
dc.identifier.citationQuantic, Diane D."The Bones of Paradise by Jonis Agee (review)." Western American Literature, vol. 53 no. 4, 2019, pp. 520-521. Project MUSEen_US
dc.identifier.issn1948-7142
dc.identifier.urihttps://doi.org/10.1353/wal.2019.0014
dc.identifier.urihttp://hdl.handle.net/10057/15886
dc.descriptionClick on the DOI link to access the article (may not be free).en_US
dc.description.abstract"It was midmorning in early May when J.B. Bennett crested the hill, stopped, and surveyed the little Sand Hills meadow where the windmill was slowly clanking in a wobbly circle" (3). This sentence opens Jonis Agee's novel, The Bones of Paradise, signaling that place, the landscape, will be an important element in this story. By the end of the first chapter J. B. Bennett is murdered, his body next to that of an Indian girl named Star. Powerful cattlemen control the lives of everyone around them. It is only ten years after the massacre of Indian men, women, and children at Wounded Knee, on the reservation, a few miles north of the Sand Hills ranches. Agee traces the tension among the Bennett ranches of J.B. and his father Drum, J.B.'s estranged wife Dulcinea, her friends the Indian Rose and Rose's husband Jerome Some Horses, and Graver, a wandering homesteader.en_US
dc.language.isoen_USen_US
dc.publisherWestern Literature Associationen_US
dc.relation.ispartofseriesWestern American Literature;v.53:no.4
dc.titleBook review: The Bones of Paradiseen_US
dc.typeBook reviewen_US
dc.rights.holder© 2019 Western Literature Associationen_US


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