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dc.contributor.authorRoussel, Brigitte
dc.date.accessioned2017-10-13T01:36:16Z
dc.date.available2017-10-13T01:36:16Z
dc.date.issued2017
dc.identifier.citationRoussel, Brigitte. Reinscribing the Feminine in "La navire" and "Le miroir de Jhesus Christ crucifié." L'Esprit Créateur, vol. 57 no. 3, 2017, pp. 118-130en_US
dc.identifier.issn0014-0767
dc.identifier.otherWOS:000411536000011
dc.identifier.urihttp://dx.doi.org/10.1353/esp.2017.0034
dc.identifier.urihttp://hdl.handle.net/10057/14130
dc.descriptionClick on the DOI link to access the article (may not be free).en_US
dc.description.abstractIn "La navire" and "Le miroir de Jhesus Christ crucifié", Marguerite de Navarre uses a death-in-life trope to help her readers experience these texts as a personal space for acknowledging their attachment to earthly struggles. Through the debate form, she also steers her readers toward questioning conventional images of faith and striving to attain the wisdom envisioned by the Evangelical movement. The transformative power of death allows readers to link reading to silent meditation, cutting oneself off from the outside world, as Marguerite makes room for a more integrative voice that echoes her vision of a forgiving and charitable God.en_US
dc.language.isofren_US
dc.publisherJohns Hopkins University Pressen_US
dc.relation.ispartofseriesEsprit Createur;v.57:no.3
dc.subjectFrench literatureen_US
dc.subjectMarguerite, Queen, consort of Henry II, King of Navarre, 1492-1549.en_US
dc.subjectLa navire; ou, Consolation du roi Françoisen_US
dc.subjectLe miroir de Jhesus Christ crucifiéen_US
dc.titleReinscribing the Feminine in "La navire" and "Le miroir de Jhesus Christ crucifié"en_US
dc.typeArticleen_US
dc.rights.holder©2017 Johns Hopkins University Pressen_US


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