| dc.contributor.author | Bechtold, Rebeccah B. | |
| dc.date.accessioned | 2017-04-23T18:58:29Z | |
| dc.date.issued | 2017-03 | |
| dc.identifier.citation | Rebeccah Bechtold. 2017. The Quietude of Conscience and the Magnetism of Sound: Listening to Nathaniel Hawthorne's The House of the Seven Gables, New England Quarterly, 90:1, 69-102 | en_US |
| dc.identifier.issn | 0028-4866 | |
| dc.identifier.other | WOS:000398529800004 | |
| dc.identifier.uri | http://dx.doi.org/10.1162/TNEQ_a_00585 | |
| dc.identifier.uri | http://hdl.handle.net/10057/13013 | |
| dc.description | The article will be available in SOAR after six month embargo (October 2017.) Read it at the publisher's website at: http://www.mitpressjournals.org/doi/pdf/10.1162/TNEQ_a_00585 | en_US |
| dc.description.abstract | In :The House of the Seven Gables" Nathaniel Hawthorne employs a soundscape particularly attuned to the modern dissonances and spiritual soundings of antebellum America. His novel interrogates the impact of these auditory-acoustic structures on constructions of the self, ultimately revealing the politics of audibility emerging in the nineteenth century. | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | MIT Press | en_US |
| dc.relation.ispartofseries | New England Quarterly;v.90:no.1 | |
| dc.subject | Research Subject Categories::HUMANITIES and RELIGION | en_US |
| dc.subject | Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Literature | en_US |
| dc.subject | Hawthorne, Nathaniel, 1804-1864 | en_US |
| dc.title | The Quietude of Conscience and the magnetism of sound: listening to Nathaniel Hawthorne's The House of the Seven Gables | en_US |
| dc.type | Article | en_US |
| dc.rights.holder | © 2017 by The New England Quarterly | en_US |
| dc.description.embargo | 2017-10-01 | |
