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dc.contributor.authorHayton, Jeffrey P.
dc.date.accessioned2016-10-20T15:24:46Z
dc.date.available2016-10-20T15:24:46Z
dc.date.issued2016-09
dc.identifier.citationBook Review: Jeff Hayton Popgeschichte, vol. 1: Konzepte und Methoden Popgeschichte, German History (2016) 34 (3): 522-524 first published online July 7, 2016en_US
dc.identifier.issn0266-3554
dc.identifier.otherWOS:000383901200027
dc.identifier.urihttp://dx.doi.org/10.1093/gerhis/ghw041
dc.identifier.urihttp://hdl.handle.net/10057/12523
dc.descriptionClick on the DOI link to access the article (may not be free).en_US
dc.description.abstractThis two-volume methodological and empirical study of the contours of popular music opens with a simple question: ‘Does pop history need theory?’ (Braucht Popgeschichte Theorie?, vol. 1, p. 7). Such a question implies that the weight of critical analysis concerning a subject needs clarification and ordering so as to stave off fragmentation, and that a set of new research agendas for the topic at hand is necessary. As the editors correctly note, contemporary pop history, while widespread, has generally not been the preserve of professional scholars but rather a vast resource tapped into by journalists, exhibition curators, oldies programmers on radio and television, and so forth.en_US
dc.language.isoen_USen_US
dc.publisherOxford University Pressen_US
dc.relation.ispartofseriesGerman History;v.34:no.3
dc.titleBook review: Pop History, vol 1, Concept and Methodsen_US
dc.title.alternativeBook review: Popgeschichte, vol. 1: Konzepte und Methodenen_US
dc.typeBook reviewen_US
dc.rights.holderCopyright © 2016 German History Societyen_US


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