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dc.contributor.advisorMays, Walter
dc.contributor.authorZellers, Randall Austin
dc.date.accessioned2015-12-11T18:28:35Z
dc.date.available2015-12-11T18:28:35Z
dc.date.issued2015-07
dc.identifier.othert15061
dc.identifier.urihttp://hdl.handle.net/10057/11696
dc.descriptionThesis (M.A.)--Wichita State University, College of Fine Arts, Dept. of Music
dc.description.abstractUrania is a work that is loosely modelled on early Greek music theory (Urania was one of the nine muses worshipped by ancient Greeks), namely the idea of creating scale structures from inserting two variable notes in between two invariable notes that were farther apart in distance. These four note cells, or tetrachords, could then be combined with other cells to create numerous scales that would be used for the creation of melodies. In this piece, I have adapted this concept to the prevailing Western chromatic scale, using various tetrachords (whose outer notes span the interval of a fourth) to create both melody and harmony.
dc.format.extentiv, 35 p.
dc.language.isoen_US
dc.publisherWichita State University
dc.rightsCopyright 2015 Randall Austin Zellers
dc.subject.lcshElectronic thesis
dc.titleUrania for orchestra
dc.typeThesis


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  • Master's Theses [1383]
    This collection includes Master's theses completed at the Wichita State University Graduate School (Fall 2005 --)

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