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dc.contributor.authorHellman, David William
dc.date.accessioned2010-09-23T15:04:36Z
dc.date.available2010-09-23T15:04:36Z
dc.date.issued2010-04-23
dc.identifier.citationHellman, David William (2010). The development of ottoman ceramics -- In Proceedings: 6th Annual Symposium: Graduate Research and Scholarly Projects. Wichita, KS: Wichita State University, p. 117-118en
dc.identifier.urihttp://hdl.handle.net/10057/3200
dc.descriptionPaper presented to the 6th Annual Symposium on Graduate Research and Scholarly Projects (GRASP) held at the Hughes Metropolitan Complex, Wichita State University, April 23, 2010.en
dc.descriptionResearch completed at the School of Art & Design, College of Fine Artsen
dc.description.abstractMany of the world’s ceramic objects can trace their aesthetic lineage to one source, Ming Dynasty export porcelain. Turkish or Ottoman ceramics is a tradition that drew inspiration from luxury goods acquired through trade along the Silk Road. Centrally located between Asia and Europe, Istanbul, the former capital of the Ottoman Empire became a trading center for these wares. An entire genre of ceramic work was produced in reference to these vessels. My research shows the influence of Chinese imports as the spring board for the development of Ottoman ceramics, by examining the advances in material experimentation and the interdisciplinary collaboration between artisans and design guilds, that in turn made these Iznik ceramic vessels and tiles so distinguishably Turkish.en
dc.format.extent187602 bytes
dc.format.extent1843 bytes
dc.format.mimetypeapplication/pdf
dc.format.mimetypetext/plain
dc.language.isoen_USen
dc.publisherWichita State University. Graduate Schoolen
dc.relation.ispartofseriesGRASPen
dc.relation.ispartofseriesv.6en
dc.titleThe development of ottoman ceramicsen
dc.typeConference paperen


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