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Intertwinings for full orchestra: a composition

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dc.contributor.advisor Mays, Walter en_US
dc.contributor.author Svast, Maja
dc.date.accessioned 2007-12-18T17:41:48Z
dc.date.available 2007-12-18T17:41:48Z
dc.date.copyright 2007 en
dc.date.issued 2007-05
dc.identifier.other t07053
dc.identifier.uri http://hdl.handle.net/10057/1177
dc.description Thesis (M.M.)--Wichita State University, College of Fine Arts, School of Music en
dc.description.abstract Intertwinings is written for full orchestra, and is in one continuous movement. It takes as its subject certain aspects from human nature. The human nature is very complex. Sometimes people project extroverted actions, while at the same time disguising their inner thoughts and emotions. This work consists of three main themes, which represent three different characters. These themes first appear alone and then later in combination. They clash together producing positive and negative emotions that culminate with all three of them erupting together towards the end of the piece (beginning at measure 298 until the end). The piece ends abruptly leaving the questions unanswered. en
dc.description.tableofcontents Instrumentation -- Program notes and analysis -- Intertwinings en
dc.format.extent 1 score (v, 41 leaves) en
dc.format.extent 1360204 bytes
dc.format.mimetype application/pdf
dc.language.iso en_US en
dc.rights Copyright Maja Švast, 2007. All rights reserved. en
dc.subject Scores en
dc.subject Music en
dc.subject Orchestral music en
dc.subject.lcsh Electronic dissertations en
dc.title Intertwinings for full orchestra: a composition en
dc.type Thesis en

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  • Master's Theses [908]
    This collection includes Master's theses completed at the Wichita State University Graduate School (Fall 2005 --)
  • MUS Theses [6]

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