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Alienation in Edward Hopper’s and Jackson Pollock’s paintings: A comparison and contrast

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dc.contributor.advisor Billings, Dorothy K., 1933-
dc.contributor.author Dalirian, Zohreh
dc.date.accessioned 2010-12-07T21:10:15Z
dc.date.available 2010-12-07T21:10:15Z
dc.date.copyright 2010 en
dc.date.issued 2010-05
dc.identifier.other t10010
dc.identifier.uri http://hdl.handle.net/10057/3301
dc.description Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Program of Liberal Studies en
dc.description.abstract In this thesis I study alienation in Edward Hopper’s and Jackson Pollack’s paintings. Each of these American painters expressed alienation in his art in a distinctive way. The source of their alienation is different, too, yet they share some personality traits. While alienation in Pollock’s paintings is mainly derived from his psychological characteristics, the source of alienation in Hopper’s paintings is mostly sociological. The alienation in Hopper’s paintings is the manifestation of man’s new status in the world, which is defined by Modernity. He is warning about the situation, in which despite the superficial achievements, man is alone. And, I believe, Pollock is the offspring of that situation. en
dc.format.extent ix, 85 p. en
dc.format.extent 3291571 bytes
dc.format.extent 1843 bytes
dc.format.mimetype application/pdf
dc.format.mimetype text/plain
dc.language.iso en_US en
dc.publisher Wichita State University en
dc.rights Copyright Zohreh Dalirian, 2010. All rights reserved en
dc.subject.lcsh Electronic dissertations en
dc.title Alienation in Edward Hopper’s and Jackson Pollock’s paintings: A comparison and contrast en
dc.type Thesis en

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  • Master's Theses [823]
    This collection includes Master's theses completed at the Wichita State University Graduate School (Fall 2005 --)
  • LAS Theses and Dissertations [379]
    Theses and dissertations completed at the College of Liberal Arts and Sciences (Fall 2005 -)
  • MALS Theses [12]

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